Abstract Photography

 

 

 

Abstract Photography:

  • Does not represent the subject in a literal way.
  • Communicates primarily through form, color, and curves rather than image detail.

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Personal Examples of Abstract Photography.

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Photo Documentary

Photojournalism – A type of Photography that uses images to tell a story, for example.  You could use a wrecked train in the desert to tell a story about how no one has ever survived the desert on their own or with a group of people, even with an automated vehicle.

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Photo Journalism VS. Photograph

A photograph and photojournalism are two different things by way of, A photograph is a still image of a subject you with to capture at that time.  It may or may not have a story behind it.  On the other hand photojournalism tells a story every time a picture is taken using that method.

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NPPA and the NPPA Code of Ethics

NPPA – “The National Press Photographers Association, a professional society that promotes the highest standards in visual journalism, acknowledges concern for every person’s need both to be fully informed about public events and to be recognized as part of the world in which we live.” (2012 NATIONAL PRESS PHOTOGRAPHERS ASSOCIATION)

Code of Ethics –

Visual journalists and those who manage visual news productions are accountable for upholding the following standards in their daily work:

  1. Be accurate and comprehensive in the representation of subjects.
  2. Resist being manipulated by staged photo opportunities.
  3. Be complete and provide context when photographing or recording subjects. Avoid stereotyping individuals and groups. Recognize and work to avoid presenting one’s own biases in the work.
  4. Treat all subjects with respect and dignity. Give special consideration to vulnerable subjects and compassion to victims of crime or tragedy. Intrude on private moments of grief only when the public has an overriding and justifiable need to see.
  5. While photographing subjects do not intentionally contribute to, alter, or seek to alter or influence events.
  6. Editing should maintain the integrity of the photographic images’ content and context. Do not manipulate images or add or alter sound in any way that can mislead viewers or misrepresent subjects.
  7. Do not pay sources or subjects or reward them materially for information or participation.
  8. Do not accept gifts, favors, or compensation from those who might seek to influence coverage.
  9. Do not intentionally sabotage the efforts of other journalists.

Ideally, visual journalists should:

  1. Strive to ensure that the public’s business is conducted in public. Defend the rights of access for all journalists.
  2. Think proactively, as a student of psychology, sociology, politics and art to develop a unique vision and presentation. Work with a voracious appetite for current events and contemporary visual media.
  3. Strive for total and unrestricted access to subjects, recommend alternatives to shallow or rushed opportunities, seek a diversity of viewpoints, and work to show unpopular or unnoticed points of view.
  4. Avoid political, civic and business involvements or other employment that compromise or give the appearance of compromising one’s own journalistic independence.
  5. Strive to be unobtrusive and humble in dealing with subjects.
  6. Respect the integrity of the photographic moment.
  7. Strive by example and influence to maintain the spirit and high standards expressed in this code. When confronted with situations in which the proper action is not clear, seek the counsel of those who exhibit the highest standards of the profession. Visual journalists should continuously study their craft and the ethics that guide it.

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Why have a code of ethics? – Well, having a code of ethics keeps the respect of the people and makes sure no one responds in a negative way to the media approaching them in a blunt and rude manner.  It can save the media group from a lot of backfire and hate coming from the people who are being documented.

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-This image shows conflict and destruction in an undefined place, but it also shows the people overcoming this tragedy.  It shows this with the man jumping over the destroyed buildings and rubble, symbolizing they will rebuild and get over this slump.

Developing Steps and Review

Step 1: Tools and Materials

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Here is what you need:

Chemicals:  Kodak T-Max Developer and Fixer.
List of ingredients:  Vinegar, rubbing alchohol, and water
Materials:  Measuring cups, Timer, Storage Bottles (labels, charts, and mixing ratio on the bottle are very helpful), Wire, a Completely Darked out room, Binder clips, Pillows and blankets to put under door and block out light, Bottle opener, Small plastic tube from a pen, Roll of tape (for a weight), Film reels for developing (choose appropriate size for the mm of film you are using, and a Container large enough to hold the film reel and has a water tight lid
Tools: Plyers, and Scissors

Step 2: Developer

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My developer: Was 1 part concentrate to 4 parts water. So Mix it up and store it in a bottle, I like using gatorade bottles cause they are thick and sturdy. Before you put anything in any of the bottles wash them with hot water so no sugary residue will be left on the film. I also put labels on the bottle along with timing charts. It is a good idea to use different bottles cause in the dark you cant tell the difference in the dark.

Step 3: Stop Bath

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The Stop Bath: is simply 1 part vinegar 4 parts water, and it stops the film from developing.

Step 4: Fixer

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The Fixer: is probably the most complicated cause you cant mix all of it up at once. It has a shelf life of two months. It is also a weird ratio. From what I can remember it is 0.8 fixer powder to 3 parts water? All fixer is different so figure out the logistics of all the chemicals you have purchased.

Step 5: Wetting Agent

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Wetting Agent: is rubbing alcohol. It prevents water marks on the film when itdries. You can buy photo-flo for cheap but I have no access to such. Detergents are good too.

Step 6: Developing Tank

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The Developing Tank: is basically a plastic container with a lid. You will be agitating the fluids inside of the tank so it needs to be tight.
Agitator rod: I used a pen tube for the body. I put an eraser in the end so all of the chemicals dont get into body of it.

Step 7: Dark Room

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Dark Room: Preferably a bathroom. Because it is nearly a dust-free area (the steam settles the dust) and it has a sink. Having a sink is really nice when you are washing the film, and after you can wash your tank and reels with hot water. Any room is really fine as long as it is completely dark. The test is if you cant see a white sheet of paper after five minutes you are fine. Pillows and blankets are great to put under doors and cracks that may let in sunlight.

Step 8: Now to set everything up

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Put everything in your dark room: and we will start loading the film. (no film was harmed solely for this instructable) First I would suggest knowing how to load the film on the reel. Now get in the dark room make sure you have everything. I would recomend having a dark thick blanket to wrap the film up in incase you forget something. This happened when i forgot scissors.

Now in the dark room: have your bottle opener prepared along with your roll of film. Pop of the bottom. take out the film on the spool, make sure you are not touching the surface of the film.  Now cut off the end of the film for easier loading onto the reel. Put the end of the film into the reel and start winding it on. Here is a helpful video http://www.youtube.com/watch?v=CY7OeJmwnJ0&feature=related .

Step 9: Pour in Developer

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Pour in developer: Make sure to read all the directionstime it right, and dont forget to agitate. All developer is different.

Step 10: Pour Out and Add Stop Bath

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Pour out the developer. Now add the stop bath, I let it soak for five minutes. Then I poured it out added tap water, agitated and poured out again.

Step 11: Now For The Fixer

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Now add the fixer: I did a little research and they said leave the film in for around7-15 minutes. I left mine in for 13 minutes it came out fine.

Step 12: Wash Wash Wash

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WASH WASH WASH WASH: thats it run it under the water until you completely know that no fixer is left on the film, you can do this with the light on.

Step 13: Hang

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